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ISSN: 0967-201X (print) • ISSN: 1752-2285 (online) • 3 issues per year
Published Open Access as part of the Berghahn Open Anthro collection.
As the new editors of In this article we discuss how engaged futures anthropology might be mobilised in an anticipatory stance, to understand and be open to working with possible This article introduces the phenomenon of fractal time in the digital world of social media, experienced by the researcher as a continual series of instantaneous overlapping presents. Building on the established anthropological notion of chronologies, multiple presents experienced in the digital landscape will be conceptualised as one infinite kaleidoscopic simultaneous set of presents—allowing the digital landscape to be a place where infinite potentialities can occur simultaneously. This cyclical, yet amorphous sensation of temporality, experienced by users of social media, will form the basis for an understanding of fractal time and will lead to a discussion of self-making, temporal-manipulation and imagined spaces. Fundamentally, this will allow a reassessment of how notions of time and the present can be understood in a digital age. Following Mexico's 2023 presidential decree protecting Indigenous sacred places, the National Institute of Anthropology and History (INAH) was tasked with creating a digital catalogue of place-beings for the Wixárika, Náayeri, O'dam, Audam and Mexicanero peoples. This project confronts fundamental epistemological tensions: Indigenous concepts of dynamic, relational ‘place-beings’ resist Western juridical categories of fixed ‘sacred sites’, while existing legal frameworks struggle to accommodate living place-making processes. As INAH researchers, we were charged with cataloguing holy springs, rocks, mountains and trees while participating in discussions on drafts for a new federal protection legislation. This article examines our methodological approach to reconciling Indigenous ontologies with state bureaucratic requirements to transform classificatory systems designed for static objects into instruments recognising animate, relational beings embedded in ongoing ceremonial practices. This article examines Volume 31 Issue 3
Anthropology at the Frontiers
Cross-sectoral Futures
Futures Anthropology and Epistemic Companions
Fractal Time in the Digital World (of Instagram)
A Kaleidoscope of Infinite Presents
Cataloguing the Untranslatable
Cosmopolitics, Digitisation and Place-Beings in Mexico's Gran Nayar Region
Embodied Refusal
Privilege and ‘Performative Damage’ in an Israeli Court